23 April 2009
Scrapptacular (Or How, when Life gives you Lemons, you Sometimes make Lemon Mush)
Anyway, one of the shows I end up watching a lot of on the Food Network is Ace of Cakes, since the girlfriend loves to muse of Wedding Cakes designed by famous dudes, and I like preposterous ideas. As we've watched more of that show, I've wanted many different cakes: one of the Millennium Falcon, one of a Viking Ship, one of Zombies, and one of a giant Chicago-Style Hot Dog. Now, I wanted a the Millennium Falcon atop a Chicago-style Dog floating in a Viking Ship piloted by Zombies. Dope.
Lead Cake Yogi and total Badass Duff wanted a cake that looked like it was made from Meat, and unitentionally introduced me to a miracle of (not so) modern pork products: Scrapple. According to Ace of Cakes, as well as the Wiki article about it, its mostly a Mid-Atlantic regional food, so I was really surprised when I found it in a Peoria grocerie store a couple weeks ago.
Tonight, I tried it.
After opening the package, it smelled an aweful lot like regular breakfast sausage, although maybe with a hint more sage. The packaging called for 8-10 minutes frying on either side, so I popped it in the pan and worked on the rest of my Breakfast for Dinner Extravoganza.
Plating up the five slabs of meat product, it definately resembled breakfast sausage at this point, as well. The first bite revealed Scrapples true colors. The mealiness, soft texture contrasted sharply with the crispy edges, conjuring up images of men in big rustic hats circled round the chuckwagon, talking about the latest cattle drive and how darn taste this handy pork-n-corn product Cooky had whipped up tasted. If breakfast sausage patties are cordless phones, and Spam is the Communicator from the original Star Trek series, Scrapple is the Old Timey wood box phone that lives on the wall and has a crank.
The only difference? The operator oinks. And probably nobody but Sulu had ever been to Hawaii.
21 April 2009
Revenge of the Sith PIxel (Or why Star Wars III Needs Blu Ray)
What E3 does do for me, however, is provide me with the best produced Star Wars film of the trilogies: excellent effects and sound, well lit and edited, and more richly set than most movies I've ever seen. Its for all these reasons that I love to run this disc when I'm doing things that otherwise require my thoughts; by doing other (in this isntance, packing), I can ignore the part of the movie that ruins the film: the acting (although, McGregor is fucking ridiculous in all of the movies.). Watching this movie on a tv that is only limited by the resolution of the source media, I'm realizing how this movie could end my Quest for the Best Blu-Ray. As I sit here and see all the artifacts that turn up during stable coverage shots, I can't wait for the release of the two trilogies on BD... just as long as Lucas doesn't go and fuck with the ending pf Empire or add Jar-Jar Binks to the cast of characters in the Mos Eisley bar or on Jabba's Sail Barge.
16 April 2009
Your Red World, My Blue One
08 April 2009
Sky Captain and the High Def Quest
To date, I can't find anything about the tv that I've disliked, but I might have a bit of a halo effect from my costly, dope periferal of choice: the PS3 I've had since last June. While I thought playing PS3 was dope before the hd, I now have very little reason to leave the house, except to go to work and appease the girlfriend.
The reason I chose the PS3 over the X-Box 360, however, was my faith that the Blu-Ray player wasn't going to be headed the way of the BetaMax. I'm now gettin to reap the full benefits of the game system that has hindered (but also helped, via Rock Band) my social life.
With our new tv, we picked up a disc I've been pining over for a while, Zack and Miri Make a Porno. I' a huge fan of the movie, since I think its the most elegant attempt at a Rom Com for Men I've ever seen, and it also gives me faith that there is a real actor inside Seth Rogan despite his Stoner comedy attempts to prove otherwise (He was genius in 40 Year Old Virgin and SuperBad, though). That all being said, Kevin Smith can write/direct well enough that even a hack can be cast opposite an indy starlette playing a lesbian and end up with a career in Hollywood. It also ended up being the first Blu-ray I popped in to give me the Holy Shit look after seeing how stunning it looked. For a movie with neither flashy effects nor stunning visually stimulating cinematography, I'm thoroughly impressed with the quality of the movie and the pop of the details.
This made me start to investigate some movies available on Blu-ray that had massive Hollywood hype regarding visual effects. Since I anticipate Star Wars to be on Blu Ray just shy of the next century (after being tweeked by Cyborg George Lucas to its definitive piece d'resistance for that moment), I chose a film I'd botrh never saw and heard good things about: Sky Captain and the World of Tomorrow.
As I compulsively check wikipedia about things like film production, budget, casting decisions, and critical response (even though I often don't give two shits about the final topic), I learned that Sky Captain was one of the first movies to be shot on a digital backlot; seeing the Blu-Ray of the movie makes this hugely obvious, since all of the backgrounds where flat and obviously dead relative to the actors in the movie. In this movie, it both helps and hinders the film: the inanimate backgrounds gives the movie a great feel of homage to film noir and Golden Age comic books, but it simultaniously betrays the movie as a "fake" compared to the original due to the use of such overt special effects.... Kinda like how cool everything in the Matrix franchise felt until you saw something cooler pulled off with real life stunts. Having recently watched Australia, a boring-as-hell but beautiful movie, Sky Captain constantly reminded me that the awesome Retro-Futurist setting was fake because you could see all the seems that stitched it together. Theatrically, the gold fleck was rubbing off of the prop laser pistol every time there was a scene change.
I completely enjoyed seeing robots fight WWI dogfighters and the Great Arc re-imagined as a Rocket Ship. The movie, however, simply felt like an overblown scene from a greater film noir short story, leaving a bad "What, that's it!?" taste in my mouth after all the work had been done to engineer this fantastic alternate history. The most beautiful part of the Blu-Ray, however, was admiring the hard work that went into coloring the movie, much like you might look at a well inked comic book. The stark constrats between the gray of New York City and the richness of Shangri-La make this a definate Blu-Ray viewer for cinemagraphic purposes.
That being said (and not to switch genres), I think playing a bit of BioShock or Fallout 3 would fire my imagination nurons a bit excitedly if I wanted a bit more retro-futurism in my life. At least those have opportunity for a sequal... I'm certain Jude Law couldn't carry an audience through another one of the Sky Captain movies. I guess that's what happens when you hire a man with as much machismo as a tampon in the lead role.